Support |
I would have loved to hear the chainsaw story. I love the random when it enters music and truly believe that we can recontextualize anything into music if we try hard enough. Well, maybe not anything...............a heckling, belligerent drunk is dangerous to include in your loops...........lol. I have a couple of experiences like that: At the last 2nd Sundays Live Looping Series that I played at, I was doing a sensitive piece for kalimba in 6/8 when they fired up the loud disco in the Blue Lagoon right under our floor. In came the throbbing 4/4 bass...................really loud and the room below......................in a perfect polyrhytyhmic four pulse to my loop (which at the time was a line 6 loop)................i'll be damned if it didn't stay in sync for the better part of the piece....................there was nothing to do but play do this throbbing bass beat which I did, and then ended my concert immediately after I finished the piece. Also, in Japan, I began my last show and there was suddenly a loud clicking noise that was repeating in the rhythm of a samba bass line. ||: X**XX**XX**XX**X :|| Try as I may, I could not locate the |offending sound and figured that my poor abused Mackie 1402 had finally bit the dust. So I just announced to the crowd (most of whom could not understand my english at all) that I was just going to have to make my whole show be based off of that rhtyhm. I did a faux industrial beatbox rhythm over that bizarre ostinato and did my first piece. Mercifully, I discovered that one of my two blow channels in the board had come unmuted and I was able to finish the show with my own decisions about rhythm. It's wierd though..............the preamps are blown in channels one and two of my board and each channel makes a loud repetitive clicking sound..............one is just like a quarter note, the other is that infernal samba rhythm....................why would that happen? Lastly, in one of my gigs, a very loud ambulance siren occured just as I was making a long loop............................it got recorded into my sensitive AKG C1000s mics and miraculously was perfectly in key with the song I was beginning to loop. The audience cracked up and I left it in the piece for the duration.