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Hey Steve, one suggestion Rick Turner had was to use another type of monitor in addition to the Bose line array (keyboard amp, mackie powered monitor etc..)for folks who absolutely need stereo. I'm not sure if what you are suggesting would really work, and although I'm not exactly a guy with clout at this point LOL, I will inquire. Also, Mike at Leos Pro audio in Oakland told me that the line array speakers are already available for people who already have power amps and mixers, i.e., you don't have to buy the powered system to get at the speaker technology. The thing is, the nature of the line array (bose system) is that it is much less directional sounding, and more three dimensional than a standard monaural source. Perhaps a really good mono piano sample through a system like this will sound superior? I don't know. haven't tried. What I believe is that when one sits down at a piano and plays, the sound is hitting ones ears from many directions, at different times, and in essence, a tall column of multiple speakers (a line array) coupled with a subwoofer is achieving somewhat the same thing. I mean a grand piano is not in and of its self stereo, is it? But its amazingly full and enveloping. Ditto for the bose system. Also perhaps the technology employed in the DTAR Mama Bear might find its way in to the keyboard realm. In a nutshell the MB allows you to plug in a piezo or magnetic acoustic pickup source, and add physically modeled eq characteristics of 16 different acoustic guitars ranging from a parlor guitar to a national tricone. The result being a sound with more body, air, and acoustic quality, not to mention more versatility. Perhaps someone will market a box that allows you to filter an average sounding piano sample through a Bosendorfer or Steinway model. I'll pass on your suggestion. Bill -----Original Message----- From: S V G [mailto:vsyevolod@yahoo.com] Sent: Friday, November 18, 2005 11:15 AM To: Loopers-Delight@loopers-delight.com Subject: Re: New loop tool, sort of.. Bill, When you see this Bose guy again, perhaps you could put in a plea for a "stereo PAS", that is a single PAS with every other speaker putting out L or R signal. All this would take is an additional amp inside the unit. Now I'm acutely aware of the fallacy of having a stereo field on the soundstage of most performance venues. Even if it does work for the performers on stage, it may not translate as much of an improvement to the audience. However, most keyboardists suffer from the fact that stereo acoustic piano samples sound terrible in mono. This is true with just about every piano sample out there in all the big names brands (Kurzweil, Korg, Yamaha, Roland, Alesis, etc.) Even the so-called "mono pianos" sound terrible. All it takes is separating the two channels in acoustic space to get the piano samples to sound halfway decent. This can be done within a PAS I'm pretty sure. Then again, stereo chorus effects, as well as a host of other ambient or panning effects will come through stronger with a single source stereo PAS compared to a mono one. Again, it's not about creating a stereo sound stage with separation between the channels. It's about giving the L and R channels their own physical space to emerge from, regardless of how close in proximity they are to each other. Anyone else have any thoughts or experience with this matter? Greetings from sunny Seattle, Stephen BillyBoyWalker wrote: Yo, Two nights ago I played test pilot for Rick Turner and an engineer from Bose labororatories. <snip> __________________________________ Yahoo! FareChase: Search multiple travel sites in one click. http://farechase.yahoo.com