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well, i used the Six-Track i had such that i was playing very minimal pitch information and modifying more the parameters of the sound in a slow rhythmic way, combined with a JamMan. the harmonic info came from the layers built up in the loop, so it wasnt so much traditional melodic style playing although i did have to keep what note info i was playing in mind so that it would sound alright in the 'compound loop', which can get quite dense. so, it seems the Pro-53 could rival its hardware progenitor in this regard, which would be nice. i noticed that the delay effect that comes built into it takes external audio for processing, or can sync to external midi (from something like radiaL for instance). i think i will check it out further ;) -jeff On Dec 28, 2005, at 4:18 PM, Rainer Thelonius Balthasar Straschill wrote: > > As you mentioned, the Pro53 is not extremely flexible, rather more > optimized > for a specific task. And I personally would not like to use this to > "improvise over something" (in the traditional sense, i.e. playing > a more or > less melodic pad which is more or less fast-paced) and see the > strenghts of > this instruments in analogue-sounding pads and really weird creations. > > For both of the latter applications, the thing works quite well > (again, > within its "theme"). You quickly get a feel for the dials (which in > the > applications I had mapped to the controllers of a Q) and their effect, > including how far you can go before it will sound crazy. Regarding > stability > and runtime, it's on the standard I've come to expect from similar > products > (read: NI stuff): low and (more importantly) steady system load and no > acting up that I can remember. >