Support |
Weisberg made albums under his own name, but the Fogelberg (two Bergs?) collaboration seems to have endured the most. Kim Flint, talking about EDP Delay Mode, says: >(...)We >set it this way at the request of a jazz flute player named *Tim >Weisberg*. >He wanted to be able to improvise a solo freely with the delay output >muted >and feedback at 0, so the delay always held some amount of his solo >trailing behind him. Then when he happened to play something he thought >might be interesting to play a counterpart to, he could just unmute it >and >have the previous phrase repeat while he played along. (...) > (http://loopers-delight.com/LDarchive/200109/msg01134.html) Sounds like Weisberg made it to the EDP age--wonder what he's up to now...? David Stephen Goodman wrote: > I can confirm this! I saw Tim Weisberg at Wake Forest Univ. in 1976 > on a tour for "Twin Sons of Different Mothers", done with Dan > Fogelberg. In the show Tim did a number of pieces using some sort of > tape loop: the first I remember with the spinning and dancing, the > second sounded so much like Bach it was incredible. Wonderful > layering, and EXCELLENT timing on Tim's part with the looping.