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Actually, I run a Boss RC-20 into a DD-20 with the feedback set high, which I can turn on to catch a loop from the RC-20 (assuming it's less than 23 seconds), then shut of the DD-20 and let it fade over multiple cycles while starting a new loop on the RC-20. A little more cumbersome than having a looper with feedback built in, but it works! -------------- Original message ---------------------- From: mark sottilaro <zerocrossing2001@yahoo.com> > The DL-4 pedel is a fine hunk of looper, although I > found it's limitation of not being able to set the > feedback % to be a deal breaker. I love to build up a > loop, have it run as it is for a while while > improvising over it, then open it back up and have > what I recorded fade as I had new sound, until I have > a totally different loop. > > But that's me. Maybe you never want to fade your > loops. Check out the Boss Loopstation too, lots of > people here love it and a new one that does multipal > loops is coming out soon. > > I'm a fan of the Boss GigaDelay DD-20 > > http://www.loopers-delight.com/tools/bossDD20/bossDD20_review1.html > > I like it better than the DL-4 due to it's ability to > have 2 loops instead of one and it's ability to > control the feedback level. It also has some cool > delay models. They're a bit gimmicky, but fun and > sometimes just what you want. > > Did you have a price range? I think I paid $200 for > the GigaDelay. You can easily spend up to $1500 for a > looper, but for your first you might want to start > small. Soon you'll say, "damn if only my looper > did..." Next thing you'll know you have to buy a rack > for all your gear. ;) > > Mark > > --- Trista Hill <trista@tristahill.com> wrote: > > > I'm sure you get posts like this all the time! I > > just subscribed to the list today and though I have > > been spending time searching around the archives, > > I'm impatient enough to just come out and ask my > > question. > > > > I want to get started using looping devices in order > > to channel the incessant music I hear in my head. I > > love what Andrew Bird and Caryn Lin are doing with > > the violin, and Zoe Keating with the cello.... I > > want to do something similar with harp. While they > > make electroacoustic harps now, I am in no position > > to run out and buy one. > > > > So I will be using my acoustic semi-grand pedal > > harp, though it's difficult to capture the harp's > > full range. Was looking at a Line 6 DL4 delay pedal > > (used by Andrew Bird), and briefly looked at the > > Akai Headrush pedal (though I think the sampling > > time is too short for what I need). The equipment I > > currently have is a Tascam Portastudio, a Peavey > > Ecoustic amp, and a few mics (at least one > > condenser). Sad but true -- when you are playing > > weddings all the time, you really don't have the > > need for anything else! I have asked around on some > > harp sites about looping devices, but apparently no > > one has experience with playing the harp in this way > > (oh the blasphemy...) > > > > My goal is to create real-time loops for live > > performances (eventually) and to work out ideas that > > I can take to a studio and record. I'm in relative > > isolation here in the Midwest given my interests and > > instrument, so perhaps erroneously have been > > thinking that the only way to get where I want to > > go, I'll have to do it myself. > > > > Any advice to a bumbling beginner would be so much > > appreciated. > > > > Trista Hill > > www.tristahill.com > > > > > __________________________________________________ > Do You Yahoo!? > Tired of spam? Yahoo! Mail has the best spam protection around > http://mail.yahoo.com >