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What I hear in tubes I don't describe as warmth ,but color,the way overtones bloom and decay has a response curve that has more vivid color,and the nuances of the way they shift are pleasing.Contrast is a very strong elemnt in perception as well so the context in which a sound is heard makes a big difference.Natural skin hand drums are rich in tonal timbre-more,ie complex overtones ,compared with more modern industrially produced trap drums,with more uniform response.The latter I hear as having a more discrete envelope which can be easier to seat in a mix. I have a classic mesa boogie,early 70s mkII b+,and a polytone which is ss,and sounds very sweet and warm. I prefer clean tones,and this boogie is known for it's clean channel. Interestingly enough.At volumes way beyond where I want to play ,whe the tubes are really glowing it gets that singing saggy sustain,but I never play that loud.I've got an amp with distortion tones like rockers pay big bucks for that's a plastic chinese made toy a v-tech groovy tunes model 9612 from the thrift store,1.99( I beat Rick to this one) it's 4x6x.2.5 and it wails. Here's an interesting bit on how the brain responds to music.This guy was abigtime music producer that got a phd in psychoacoustics from stanford. _________________________________________________________________ Experience the magic of the holidays. Talk to Santa on Messenger. http://clk.atdmt.com/MSN/go/msnnkwme0080000001msn/direct/01/?href=http://imagine-windowslive.com/minisites/santabot/default.aspx?locale=en-us