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Great topic. > Which brings me to a topic I've been wondering about lately: > > 1) how many people on the list do solo non looping gigs? I've only done a few, but in the broad jazz genre, I've found this to be the most challenging performance setting. Sure, I can play contemporary style and folk style for hours and hours, but playing solo jazz, no looping, is not an easy thing to do. > 2) "the beauty of the single not line" - how many guitar players/ >players > of multitimbral instruments can do an improv. gig using only single >note > lines and hold an audiences attention? for how long? Single notes only? I could do that indefinitely...and I think I could hold an audiences attention...everything from quoting modern and class standard heads to improvising my own lines. > 3) if you're not comfortable doing this, is that because of preference > (ie: vertical vs. linear hearing)? Being raised on a particular > instrument? Or did you gravitate towards your preferred instrument due > to how you hear things? I find adding chordal improvisation to this to be even more challenging on the guitar. For instance, if you use Joe Pass's solo approach as a standard, I can maybe to that for, eh, three jazz standards? If were are talking free improvisation, I can do that indefinitely with chords and melody intertwined, but it is still a challenging thing. You really have to have a command of your instrument and harmony to pull this off. Kris