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I would encourage you to go with the acoustic feather by McIntyre, Schertler, or even a schaller mounted on the bridge plate under the bridge, instead of a soundhole mic. Basically its like a hurricane/tornado inside the guitar and although a little air is good to catch too much is a bad thing in most cases. Please take my master instructors advice into consideration as to William Eaton, John Reuter, Rick Turner, Robert "Mudd" Mazullo and Joe Vallees priceless experiences.... Change is always in the air and they are not afraid to break the rules once in a while if there is a reason for it! www.roberto-venn.com --- Daryl Shawn <highhorse@mhorse.com> wrote: > Thanks for all the responses, everyone. The EBS comp really does look > good from reviews, I'd originally thought it was just for bass (being > made by a bass products company) but I see recs from guitarists too. The > Really Nice Compressor is tempting as I can use in the studio as well... > > Lots and lots of good choices for pickups, it's a little overwhelming. > The ($300!) Schertler looks great, especially as I could throw it up on > the headstock, though it's hard to get over its resemblance to the Radio > Shack buzzer contact mic I made for $10. The active Baggs looks nice, > and also the possibility of actual in-hole mics, all of these should do > well with percussive stuff. > > this gives me an advanced starting point, much appreciated ya'll. > > Daryl Shawn > www.swanwelder.com > www.chinapaintingmusic.com > > > ____________________________________________________________________________________ Never miss a thing. Make Yahoo your home page. http://www.yahoo.com/r/hs