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Well, I'd say it's decent for that, not outstanding. It's really made to try to cover a lot of bases, from classical playing (has a nice neck, not flat like a shredder's axe) to folk, so it doesn't have such a distinctive flamenco sound out of the box. I use La Bella strings (red tops) which help give it a good brightness, the bass sound isn't as snappy as a really nice acoustic flamenco with pegs and everything, but I think you'd be happy with it for a live situation. (Here's 50 seconds of me playing it rumba-style through a PA - http://www.youtube.com/watch?v=eJUtuCtXraY ). However, one of the reasons I brought it up here is that /golpes/ don't come through the onboard pickup very well, hence I'm looking for a second sound capture source to help with that. Hope this helps! Mine is an older model, before they added the onboard tuner, that's a great addition. Daryl Shawn www.swanwelder.com www.chinapaintingmusic.com > Hey Daryl, > great that you bring this guitar up,in fact ive been > doing research on it all day(rather on the Takamine > EC132C) since i need one soon for my cuban son > group.The onboard tuner and quick battery access is > one of the main reasons i am looking at them i think > they are the only guitars that feature that. > i have an old spanish raymundo that is about 20 years > and love its big flamenco sound coming out of such a > thin cutaway.But when the battery dies live is a pain > in the ass to replace!plus for this type of music i > dont want to have anything on the floor not even a > tuner so this makes it a good candidate.But tell me > how "flamenco" is its sound? > cheers > Luis >