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Here's some video links: for the dd7: http://www.roland.com/demos/en/i0067/index.html for the "slicer": http://www.roland.com/demos/en/i0068/index.html On Mar 12, 2008, at 4:00 AM, Ben wrote: > This is what I found today: > BOSS ANNOUNCES THE DD-7 12/03/2008 > Boss announces the newest pedal in the best-selling DD-range. > Building on the tried-and-tested features from its predecessors, > the DD-7 considerably expands the creative potential with a number > of practical and inspiring features. > With up to 6.4 seconds of delay time, the DD-7 features a marked > increase on its predecessor. In addition, a newly-developed Hold > mode allows up to 40 seconds of input to be recorded for creating > atmospheric "sound-on-sound" performances. > The DD-7 is also equipped with two innovative new delay modes. > Modulation Delay provides chorus-flavoured sounds, while Analogue > Delay offers a modelled simulation of the classic Boss DM-2, > beloved by guitarists everywhere for its characteristic warmth. > For hands-free control, an external footswitch and expression > pedal (sold separately) can be used. Tap tempo rates can be > controlled from the external footswitch, while delay time, > feedback, and effect level can be changed on the fly via an > expression pedal. > The DD-7's stereo output can create some amazing effects, such as > spatial audio sweeps with true stereo panning. The stereo outputs > can even be configured as separate dry and wet signal paths - handy > for recording and live-performance control. Finally, the legendary > Boss build quality and reliability that has seen sales exceed 10 > million pedals globally comes as standard. > DD-7 at a glance > . Expanded delay time, up to 6.4 seconds > . Modulation Delay mode offers natural, chorus-type sounds > . Analogue Delay mode models the classic warm Boss DM-2 analogue > delay sound > . Tap tempo controllable via external footswitch > . Delay time, feedback, and effect level can be controlled via > external expression pedal (sold separately) > . Up to 40 seconds of recording for sound-on-sound (Hold mode) > performances > > This Hold mode can be interesting combined with the FB settings > and it's stereo. > I'll keep an eye on this. > Ben. >