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I take a compositional approach in general, so how many layers I use at any given time depends on the piece. I tend to use quite a few at times due to the nature of my music and guitar orchestrations. I use two approaches to reduce the "mush factor" - keep in mind I use two EDPs: 1) I use an ABY splitting box (Radial Switchbone) before the EDPs so that I can assign any layer to be panned left, right, or both (center and louder). Stereo separation of parts reduces the "mush factor" quite a bit, and sounds bloody cool. Again, I take a compositional approach, so I plan this shite out in advance. I then improvise solos on top (in the center). I am fascinated with Gamelan-inspired Kotekan interlocking melodic fragments, and I often hard pan two of those suckers left and right, with a ground or ostinato in the middle. 2) I rarely have feedback at 100%. I'm interested in things gradually morphing over time in terms of timbre and key/modal relationships, as well as polyrhythmic/polymetric possibilities. I also like to use looping to play canons, where feedback reduction is particularly essential. I also alternate quite a bit of solo classical and fingerstyle steel-string playing with the looping pieces, generally in the form of intros and codas, and those of course have no layers. I have moreloops set to 2, but I don't use that particular function much; I like the organic flow. ~Greg www.myspace.com/gregwilliamsguitarist