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Krispen Hartung wrote: > You disagree with my own experience of transcription? How the heck is > that possible? That's like me saying I like strawberry icecream better > than vanilla, and you disagreeing. :) My own experience and my > learning style contradicts everything you say below. That's just one > person's learning style vs. millions of others. > > Kris > > ----- Original Message ----- > >>>> I also like Bailey's interpretation of the value of transcribing in >>>> jazz or in learning to improvise. I've never found that as a useful >>>> tool, in terms of making me a better player or increasing my >>>> improvisation skills...maybe making it easier for me to copy other >>>> players' licks and clichés, but nothing from a creative standpoint. >> >> I have to disagree with this. I suppose if you go into transcription >> with the goal of hijacking somebody else's style, that's all you'll >> get out of it. But transcription is an excellent form of ear training, >> and I would argue that good ears are, if anything, even more important >> in authentic free playing than in the mainstream. And nothing says you >> have to restrict your transcription to solo instruments. Try to pry >> apart some of Maria Schneider's dense large-ensemble jazz voicings; >> even though I can do it imperfectly, I think it can greatly improve >> one's clarity of expression. >> >> Brian Apologies, then. It seemed as if you were making a general statement, when clearly that wasn't your intent. Brian