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If it sounds good, do it. I use the Apple AU multiband quite a bit. It absolutely reins in wayward audio, which helps a great deal. Especially when live looping when you don't have the benefit of getting the perfect mix. We have enough to do. On Jul 31, 2008, at 7:00 AM, rs@moinlabs.de wrote: > "if used correctly as a dynamic eq, the benefits of using a > multiband comp are great, especially for electroacoustic, live > electronics etc music." > > Multiband compressors have the habit of affecting a signal in ways > that are very unnatural (meaning: do not have anything to do with > the way things sounds or how we hear them). In addition to non- > harmonic distortion present in every kind of dynamic processor, > multiband compression induces odd phase shifts which in turn and > among other things affect localization in ways strongly dependant > on the listening environment (and for that reason a mastering > engineer's worst nightmare). > > There has been that tendency in contemporary amateur signal editing > to always use multiband compression, especially on the vulnerable > 2bus, in cases where the wanted effect could be much better > achieved by proper use of EQ and fullrange compression, both on the > 2bus and, more importantly, on individual tracks, without the > unwanted side effects and, what's more, a much more intuitive > relationship between device parameters and result. > > Yes, there are rare cases (mostly poor-quality two-track recordings > of electroacoustic live sources) where a multiband compressor can > help a lot, simply because its negative side effects are acceptable > compared to the result if you didn't use it. See it as the > chemotherapy of audio processing. Fortunately, these cases are rare. > > "also using a tube mastering eq helps alot too." > > Which kind of EQ, and which kind of converters before and after it > are you using? > > Rainer >