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"if used correctly as a dynamic eq, the benefits of using a multiband comp are great, especially for electroacoustic, live electronics etc music." Multiband compressors have the habit of affecting a signal in ways that are very unnatural (meaning: do not have anything to do with the way things sounds or how we hear them). In addition to non-harmonic distortion present in every kind of dynamic processor, multiband compression induces odd phase shifts which in turn and among other things affect localization in ways strongly dependant on the listening environment (and for that reason a mastering engineer's worst nightmare). There has been that tendency in contemporary amateur signal editing to always use multiband compression, especially on the vulnerable 2bus, in cases where the wanted effect could be much better achieved by proper use of EQ and fullrange compression, both on the 2bus and, more importantly, on individual tracks, without the unwanted side effects and, what's more, a much more intuitive relationship between device parameters and result. Yes, there are rare cases (mostly poor-quality two-track recordings of electroacoustic live sources) where a multiband compressor can help a lot, simply because its negative side effects are acceptable compared to the result if you didn't use it. See it as the chemotherapy of audio processing. Fortunately, these cases are rare. "also using a tube mastering eq helps alot too." Which kind of EQ, and which kind of converters before and after it are you using? Rainer