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Ok, let me ask this question then. How do you all record and prepare audio for the web and for your releases? I am sure there is many different ways to get good sounding tunes up. All of mine is released in varying qualities of mp3s. Sometimes I record on mindisk if I am away from my computer. At home I feed a stereo line in from a mixer into Audacity or now Sound Forge. I used to record in 16 bit but now have moved to 24. Anyone can reply off list if this is going off topic too badly. I am kind of stuck in a loop on this in the middle of recording alot. I am trying to rethink what I am doing a bit. Jeff Ad astra per alia porci - Steinbeck http://jeffduke.org/ http://www.myspace.com/loopsinphasespace http://virb.com/jeffduke http://www.reverbnation.com/thejeffduke http://www.vimeo.com/jeffduke http://www.justin.tv/loopslab http://themineisthemind.blogspot.com/ http://www.myspace.com/loopsinphasespace http://www.youtube.com/user/sticky899 http://www.sugarat.org/tecbab/ ----- Original Message ----- From: "Jeff Duke" <jeff_d@embarqmail.com> To: <Loopers-Delight@loopers-delight.com> Sent: Thursday, June 04, 2009 11:11 AM Subject: Re: mastering plug ins > There was music before computers? :) > Really I am thinking that I need to work on improving the audio I am > feeding into my DAW. Unless I can find a turd polishing plugin :) > If I have a boomy sound why not fix it before recording etc and so on. I > am still trying to grasp audio mastering but I get so confused...slowly >I > go. > > thanks for all the fish, > > Jeff > > > ----- Original Message ----- > From: "Mark Sottilaro" <zerocrossing@gmail.com> > To: <Loopers-Delight@loopers-delight.com> > Sent: Wednesday, June 03, 2009 4:52 PM > Subject: Re: mastering plug ins > > >> You know, you can spend a lot of time and energy on the mastering >> project, but I swear some of the best armature mixes I've heard came >> from a guitarist I used to play with. All he did was run his master >> buss though a light compressor, graphic EQ and a DBX exciter. (all >> hardware, this was pre-computer daw). One day I caught him in the >> process and what he did was first run a song with a similar feel >> though the setup and look at the display on the graphic EQ while in >> bypass. He then ran his program though it and tried to use the eq to >> get the same look in the audio spectrum. Hilarious. He admitted he >> just used this method as a starting point, but the real truth is, in >> the end he probably really good at listening. I suspect the spectrum >> display was probably more of a placebo than anything else. He was >> only doing 4 track cassette recordings, but his always sounded great. >> >> > >