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Thanks Rick, very nice. Additionally he had a technique where he would have a a rhythm pattern, and a chord sequence ( or single note??). The chords would be repeatedly played in the pattern, but as the number of chords didn't match the number of notes in the rhythm it would be some time before there was exact repetition. andt looppool@cruzio.com wrote: > Here's a really nice short .pdf appraisal of > Oliver Messiaen's life and work and has > a fascinating list and practical discussion of the application of his > 'modes of limited transposition'. > > http://www.musicteachers.co.uk/resources/messstudy.pdf > > > > >