Re: More Tonal Theory: Arppegiators/Accent/Melody

[Raul Bonell <raul.bonell@gmail.com>]

well, in series i think there's nothing to worry about, if using 3
harm. feedbacking the same interval ad infinitum ... secure
cluster.... oh, jazzy players, Xmaj7... amazing, how much knowledge
produces this list, even taking as starting point a simply 7th chord.

maybe the drop in volume due to feedback loss, helps, for smoothing the 
blob.

2009/7/26, Per Boysen <perboysen@gmail.com>:
> On Sun, Jul 26, 2009 at 5:19 PM, Raul Bonell<raul.bonell@gmail.com> 
>wrote:
>> this combination +4,+7,+11 results in a 7th Major chord. bossa?? ...
>
> Yes, if the harmonizers are routed in parallel (the sharp 7th, not the
> flat - like we use to type it "Xmaj7"). If routed as a chain though,
> wow... then we're talking some fat cluster like blob here.... Except
> for all the doubles I see a tritonus added (7+11), then a minor third
> in the octave above the major third (4+11).
>
> Actually, I take back the comment about "blob" because when I'm
> playing that chord on my guitar here right now it sounds pretty neat.
> Wide, fat and shimmering of many overtones.
>
> Per
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com