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AW: Alesis Multimix 8 Line. 1u mixer for looping.



hey Andy,
Still investigating this.
Which one do you think is better in terms of sound quality between this 
and the Rolls RM 65B?

specs here for both

http://www.rolls.com/pdf/DS_RM65.pdf

http://www.alesis.com/multimix8line

anyone?








> Is this the ideal small mixer we've
> all been looking for?
> 
> Alesis Multimix 8 Line. 1u mixer for looping.
> http://www.alesis.com/multimix8line.
> 
> 
> Feature list and mini review.
> 
> features
> 
> All connections on 1/4 unbalanced jacks unless otherwise
> noted.
> 8 stereo/mono input channels,  vol, balance, fx send
> *Stereo* FX send ( works with channel pan/balance, for each
> channel)
> stereo FX return (with vol control)
> Channel 1 switches to a mono microphone input, XLR, no
> phantom.
> Main outs on balanced jacks with master vol.
> 
> ..and some additional connections on *stereo* 1/4 in jacks
> Monitor out...after master vol
> Mix out ...before master vol
> Input to main bus.
> Input to fx bus.
> (those last 3 are officially for daisy chaining 2 or more
> units).
> 
> Comments
> 1) stereo fx bus....that's very useful
> 2) seems well built, and sounds ok. Not noisy.
> 3) none of the controls has a 0dB calibration, which makes
> set up that much harder. ( the cheap Behringer
>  stuff often has this). Not really a problem.
> 4) the mic input sounds good enough for live work with good
> full range response. Not for studio though, there's
>  a distinctive quality/color to the transient response, and
> no 48V.
> 5) Mic pre-amp doesn't have an insert, and there's no way
> to make fx send pre fade. In simple terms
>   this means you can't EQ the mic, or compress it.
> (and can't use my Vortex patches!)
> 6) the additional connectors  available give some
> scope for  extra routing, as long as you
>    don't mind using Y-cables.
> 7) neither of the 2 additional outputs has an independent
> vol control, (such as would be useful for
>   sending to Zoom H2 for recording)
> 8) there's no mixer schematic in the manual, it's printed
> on the top of the unit. Obviously
>   when you rack the unit you no longer have the
> schematic which is the only way to see
>   the mixer features at a glance.
> 9) Balanced outs means that you only need a couple of jack
> to XLR converters and
>   you're able to say " I have my own DI box" to any
> sound engineer you encounter when playing live.
>   This reduces their anxiety about how to deal with
> your complex setup to zero.
> 10) no official way to make sends pre-fade, which would
> make the unit much more usable.
> 
> Conclusion
> Very nearly a neat way to route your looping gear, and add
> a microphone
> with just a 1u unit.
> 
> If you don't need to use the mic-pre there's no real minus
> points to the mixer,
> apart from lack of pre-fade sends.
> Sound quality is easily good enough for live work.
> 
> Big disappointment is the implementation of the mic input.
> There's no way to
> eq the mic, so unless you want a flat response, and have a
> dynamic mic that
> will give that you can't really this mixer. Using with an
> SM58, for instance, will
> just give you that unclear boxy sound which is normally
> filtered out at the desk.
> So, probably ok for announcements that no-one understands.
> I'm ok, I have a Sennheiser 421 which works very well for
> feeding assorted
> acoustic sounds into the loops (on the fx send), but those
> aren't exactly
> cheap.
> Generally, anyone looking to add a mic to their setup ( or
> to remove a mic-pre
> to save weight/space) is going to be frustrated.
> 
> Further investigation.
> It must be possible to mod this unit so that there's a way
> to eq( or Vortex)  the mic.
> but no service sheet available.
> 
> I emailed Alesis tech support, US *and* UK and was sent a
> pair of automated responses
> promising a reply within 2 days....about a week ago.
> 
> 
> 
> 
> 
> andy butler
> 
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