[
Date Prev][
Date Next] [
Thread Prev][
Thread Next]
[
Date Index][
Thread Index][
Author Index]
Re: More M-9 PHUN
I used to do the same thing with a Boss DD20 pedal in reverse delay mode,
I don't know why I didn't think to do that with my M13. I like using the
expression pedal like that as well. What I do is like up a Phase, Flange
and a trem, in that order, followed by a delay, then use my Digitech EX7
set for the space station sound and hit a chord. The phase is thickening,
the flange goes WHOOSh and the tremolo chops it up, and as I sweep the
pedal, they go different speeds, needless to say, it sounds cool.
--- On Sun, 4/18/10, William Walker <billwalker@baymoon.com> wrote:
> From: William Walker <billwalker@baymoon.com>
> Subject: More M-9 PHUN
> To: Loopers-Delight@loopers-delight.com
> Date: Sunday, April 18, 2010, 5:44 PM
> I have been putting together a
> bank of presets today on my M-9 that are more abstract in
> nature, an outside bank, so to speak. In edition to
> obvious choices like a ring modulator which the M-9 does a
> decent job of , I was playing around with reverse delay and
> happened upon an interesting application. Rather than set
> the reverse delay like i usually do, set to whole note
> value, as defined by my tap tempo, I set the delay time at
> 20 milliseconds. I increased the depth of
> modulation and feedback and used the
> expression pedal to control delay mix and speed of the
> modulation, slow to fast. The ensuing sound had a quality
> similar to a ring modulator , with some of the same
> comb filtering , and weird harmonic artifacts. Combined with
> a ring modulator things got really crazy. I owned an
> EH frequency analyzer back in the day and really dig that I
> can occasionally have access to that sound, for those South
> Park theme moments :-) I also like how much extra control a
> multi tasking expression pedal can give to an effect like
> this. Used to control the mix, it is great to be able to go
> from Pretty to Pretty Creepy and back again as one rocks the
> pedal.
> Bill
>
>