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Am 26.01.2011 21:52, schrieb Rick Walker: > will read it as real. In other words, you can take the same kick > and snare pattern and use it identically, but > program 6-10 hi hat patterns that have very small changes in their > programming. For example, use > 16th notes and program the slightest changes into volume, cutoff > frequency and timing (if your machine will allow > such subtley) and then mix and match these patterns with the 'groove' > of the kick and snare (and toms?) A story that is on the same line is that (The Police Drummer) Stewart Copeland spent a lot of the post-Police time doing highly-paid studio jobs where he would record hihat parts against the repetitive accuracy of the drums of a Linndrum. Of course, it also works if you just slightly change the drums (more specifically: the snare): a much-used approach in Drum'n'Bass/IDM is to also use a steady, programmed groove (with all the individual samples sampled from a boutique jazz or funk record), but while using the very same hihat and bassdrum sample all the time, using a great variety of different snare drum samples from throughout the song/album. my .01 ;) Rainer -- http://moinlabs.de Follow me on twitter: http://twitter.com/moinlabs