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Dear Rick, as usual, there's a lot I have to say with regard to your statements, but merely to add, not to contradict... > Playing other instruments, especially ones with a radically different > approach, can really free one of the confines > of thinking one way when playing, I believe. With a few years under > my belt since I started playing brass instruments For me, this seems equally important when working as a composer. Back in days of old, when I was well familiar with the piano and the trombone, and had some basic understanding of woodwind and percussion instruments, I could well write a part for a classical chamber ensemble - but doing something for a rock band just didn't work. This changed after I got myself a bass guitar and later a guitar, and even though I am far from even basically mastering those instruments, I have gained an understanding how these instruments work, which enables me to write for them. > When I hear a fantastic rendition of Bartok's Concerto for Orchestra, > I , of course, am really glad that the French Horn Now this is going completely OT, but, for anyone among you who doesn't know this piece - check it out! Bartok rules! ;) Rainer -- http://moinlabs.de Follow me on twitter: http://twitter.com/moinlabs