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Gee, let me simplify my rig down to a pedalboard and ditch the rack... Hmm. Now as I accumulate boxes I have a desire for a complex signal path to accommodate various options. So, as I try to rationalize it all, I'm looking for advice on appropriate connective tissue for the rig. Here is what I want to do: Guitar -> A/B box -> "electric" chain -> stereo outs -> "acoustic" chain -> stereo outs Now, mix those stereo outs or have a loop selector that works at both the front and back end of the loop since I don't plan to have both chains active at once and I'd rather not have noise coming from the inactive chain. Okay. That stereo signal will probably feed into a Strymon TimeLine. Then I need to split it off to a couple of loopers (and possibly a straight through stereo signal). One of these loopers is probably the Boomerang III. The other is likely to be a Line6 M9 for ambient textures. Next problem: The Line6 has no good way to mute the through signal. Advice here is also welcome. Then I need to mix the outputs from the loopers (and possibly a straight signal) and then feed that into a reverb unit. So, the points in the chain where I need advice are: 1. Either a simple stereo mixer to handle the two guitar chains or better yet an A/B loop selector that supports mono-in and stereo-out. 2. A two or three way stereo splitter to feed the loopers. 3. A two or three way mixer to bring the loopers back together. 4. A way to deal with the fact that the Line6 M9 has no way to mute the through signal and just let me process the looper. Even in a rack mount context with my various Mackie mixer, the frequency with which things need to happen in stereo is a bit daunting. On the other hand, I really just need basic splitting and mixing. Mark P.S. Is anyone interested in a Line6 M13? Great unit, but excessively big in this context.