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2011/12/15, van Sinn <vansinn@post.cybercity.dk>: > Reyn Ouwehand wrote: >> If your material has to end on a CD, record on 88.2kHz. If it's for film >> record on 96kHz. Due to the math.. > > I assume you mean that an 88.2 Khz sample only needs to downscaled by a > factor > two to arrive at 44.1 Khz.. > Which isn't so. The 88.2 signal will need to be calculated and dithered > exactly the same way as with any other bitrate. that makes sense. guess i got it from bob katz book. 96 Khz should better for compatibility matters, 88.2 Khz because uses less storage space, but quality humanly indistinguishable, suposing a stable clock for both sample rates on the same capturing device. .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-..-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-. Your moral values are meaningless, artificial constructs. For your imagination, they provide you a falsely superior position in your social group. For the strong, they provide a means by which you are easily manipulated. In reality, they serve the entertainment needs of others. In the Kimatorium, they are irrelevant. Kim Flint .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-. raulbonell.tumblr.com - collective.com