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Just a few minutes ago I wrote: >Although Teo did some great work on those 67-74 Miles recordings, his tape edits >on Mingus' "Mingus Ah Um" and "Tijuana Moods" are laughably obtrusive. I just realized that those were not his extremely lame tape edits on "Tijuana Moods", but someone else's. Even so, I thought his work with Mingus was kind of awkward, as on "Ah Um" and "Let My Children Hear Music" and it may have as much to do with Mingus as Teo, but my point was - everything Teo touched in this regard was not necessarily gold, with all due respect to his other groundbreaking collaborations. Ken R