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>>> "future perfect" <artmusic@gte.net> 03/03 3:46 PM >>> I haven't heard the track yet, so I can't comment on that directly. But Reverend Bob does bring up an interesting point. It seems to be mixed among musicians- some feel a drum machine really adds to a live performance, others think it is distracting and superfluous. Personally, I don't particularly like them used live- I am more likely to bring a hand percussionist along on those types of gigs, or play solo and force some creative rearranging. Any other opinions? How about from an audience member's point of view? This backing tracks thing is a repeating theme... For Dennis' genre of music, anthemic melodic rock (hope that sits ok with you Dennis! 8-)) I'd say the drum tracks are pretty common and create the requisiste ensemble/team sort of vibe... As in a group with a common purpose... The problem with doing this alone with a machine is that the visual doesn't support that vibe and creates confusion. As an audience member I feel a bit cheated if I don't see the performer input the drums into the machine live as well... It's even better if at least a part of that machine's output is routed to a filterbank/dsp/vortex/looper for live tweaking, so the performer can interact with it. I pretty much want the performer to create all the elements live (even if it is just building up a machine track or loop...) That said... I feel (drum sync problems aside) that Dennis' tracks show a good feel for this style of music. The looping is pretty seamless and integrated. I usually prefer a solo performer to either be experimenting more, or to be more intimate, ala folk music. -miko