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>The funniest thing about this thread (besides Mr. Sottilaro) >is that it triggered the following serious thought: >do loopers know how to quit? > >This has been a frustration for me lately. There are the >obvious two choices: repeat and fade, and abrupt stop >(usually during a rest). Also, there's the obvious variation >of de-evolution -- I.E., if you've built up a loop with layers, >deconstruct it back down by removing layers, but when you're >down to the last loop, be it the one you started with, or a >different one, you still have to make one of the two above >choices. I've been thinking of trying to "morph" from a loop >to live playing, but have not been successful in an accurate >resemblance of the loop, so I usually go for a completely >different sound, but maybe playing the same riff. Any other >ideas? (There's the ever-popular train wreck, ie: something breaks. Every reel of tape I have has stuff of mine stopping accidently at the end of the tape, as well as batteries dying, desktops freezing and cables getting tripped over. I've sometimes fantasized about basing a concert on this --- "That was the sound of my laptop crashing. For the next few minutes while it reboots, allow me to treat you to variations on a Kaoss Pad ...") But yes, your talk of morphing "from a loop to live playing" strikes a chord cuz I've often thought of trying just the opposite direction. IE: Doing something and sampling it, and then crossfading from the performance to the looped sample. --- * just-john@just-john.com http://just-john.com/cn/rfe.shtml *