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Its tricky to end a performance with a loop, however, the tricks that I use are to build up a crescendo with the electric violin towards the end of the piece, then hitting the stop button at the same time I hit a power chord on the violin. The only other way that I have found is to assign a volume pedal to the master volume, and do a realtime fade-out - but that sucks. I'm experimenting at the moment in being able to change the Repeater's feedback level via the assignable volume pedal. Then - towards the end of the loop section, you can move the feedback from 90% down to 50% or lower - it will allow for some quite good morphing. This should be possible to adapt with most repeaters. On Tuesday, June 4, 2002, at 01:09 AM, Peter Prisekin aka Dusty Chalk wrote: > The funniest thing about this thread (besides Mr. Sottilaro) > is that it triggered the following serious thought: > do loopers know how to quit? > > This has been a frustration for me lately. There are the > obvious two choices: repeat and fade, and abrupt stop > (usually during a rest). Also, there's the obvious variation > of de-evolution -- I.E., if you've built up a loop with layers, > deconstruct it back down by removing layers, but when you're > down to the last loop, be it the one you started with, or a > different one, you still have to make one of the two above > choices. I've been thinking of trying to "morph" from a loop > to live playing, but have not been successful in an accurate > resemblance of the loop, so I usually go for a completely > different sound, but maybe playing the same riff. Any other > ideas? > > Favourite license plate (un-loop-related): PLAN A (and then > written on the bumper: "HEAD") > -- > I remain, > :-Peter aka :-Dusty :-Chalk > > > -- Stuart Wyatt - Solo String Project http://www.solostring.com stuart@solostring.com