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On 10/15/05, Ken Higgins <khl2004@topic.net> wrote: > > My $0.02 > > One advantage the computer-based approach offers is immediate > replacement of dead or lost hardware. > > Let's say the airline loses your rack. Now you're in trouble. Where > do you find a PCM-42, a Vortex, and a Bitrman in 4 hours or less in > Eugene, Oregon? You don't. > > But if you're computer-host-based, any CompUSA or Costco (or... > or...) can replace your <insert favorite XYZ-effect here>. Better > yet, a buddy or fellow LD'er in the region could loan you their > laptop for the gig. As long as you're using a readily available, consumer-level box, and not some particular chipset/hard-drive configuration, which seems to be a not-uncommon occurrence for pc-based musicians. Hell, Kris advocates buying commercial grade hardware only... > > If you are carrying a Firewire/USB audio interface in your carry-on, > along with your dongles (if any) and a backup DVD or CD with all your > audio apps you are pretty well set to recover from major loss. > > Of course you should have your setup dialed, and saved as a an > appropriate disk image, along with any installers that you might > need. And you should practice 'recovering' to 'other hardware' at > least once. "Luck favors the prepared",... ask any recording > engineer or support tech. > Hands up everyone who, right at this moment, has the necessary backup materials to restore their audio computer from the ground-up in under four hours, with all the tweaks and preferences intact? Put your hand down if you just think you could do this and never actually done it. TravisH