Re: Defining "pro"

[monk <monk@fuse.net>]

also, does any touring pro really use one? i know lots of professional 
guitar players, many who use loops. i know lots of them own an EDP, but 
i don't know one who uses it in a live setting. i'm curious if anyone 
knows of someone?



On Oct 18, 2005, at 4:39 PM, monk wrote:

>
> On Oct 18, 2005, at 4:12 PM, Travis Hartnett wrote:
>
>> Any problem that only manifests itself after it's been on for five or
>> six hours sounds thermal related.  Is it in a rack, and how warm is
>> the gear around the EDP?
>
> yeah, i get it. it is probably a thermal problem.  but my point is 
> that in ten years of use my pcm-70 has never done that, my other "pro" 
> gear  has been far more reliable; and when it isn't, the company helps 
> me. that wasn't my experience with gibson.
>
> for the record it's in the top of a mesa-boogie shock rack (which has 
> lots of space around it) with two empty rack spaces above it. below it 
> is.. various things.. a pcm-70, a flash switcher.. but it exhibits 
> this behaviour on a table-top as well.
>
>
> thanks
>
>
> ric hordinski
>
>