Re: Defining "pro"

[Travis Hartnett <travishartnett@gmail.com>]

Oh, and the guy from the Mermen, until it was recently stolen along
with all the rest of their gear.

On 10/18/05, monk <monk@fuse.net> wrote:
> also, does any touring pro really use one? i know lots of professional
> guitar players, many who use loops. i know lots of them own an EDP, but
> i don't know one who uses it in a live setting. i'm curious if anyone
> knows of someone?
>
>
>
> On Oct 18, 2005, at 4:39 PM, monk wrote:
>
> >
> > On Oct 18, 2005, at 4:12 PM, Travis Hartnett wrote:
> >
> >> Any problem that only manifests itself after it's been on for five or
> >> six hours sounds thermal related.  Is it in a rack, and how warm is
> >> the gear around the EDP?
> >
> > yeah, i get it. it is probably a thermal problem.  but my point is
> > that in ten years of use my pcm-70 has never done that, my other "pro"
> > gear  has been far more reliable; and when it isn't, the company helps
> > me. that wasn't my experience with gibson.
> >
> > for the record it's in the top of a mesa-boogie shock rack (which has
> > lots of space around it) with two empty rack spaces above it. below it
> > is.. various things.. a pcm-70, a flash switcher.. but it exhibits
> > this behaviour on a table-top as well.
> >
> >
> > thanks
> >
> >
> > ric hordinski
> >
> >
>
>