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On May 29, 2006, at 9:08 AM, Rainer Thelonius Balthasar Straschill wrote: > Then you're most likely not to like my live performances ;). I > usually try > to combine sections with a clearly defined rhythmic structure or > pulse with > completely odd-metered parts - just as in this recording. > > Having said that, I'll have to admit that I am not a percussionist > by heart > so would have a hard time to spontaneously improvise the fitting > percussion > to hold it all together Live performances have a flow that provides an unfolding context so there is no way to predict my liking or disliking. :-) But your file is an edit that decouples the music from context, in a sense. In that regard, percussion motifs could be layered in on a separate track as an afterthought. I was not necessarily thinking, in this case, of percussion as pulse or defined rhythmic structure but rather as texture. It could be completely odd-metered and still provide linkage patterns. Instead of "spontaneously" you could use canned sound bytes that are pedal triggered and randomly sequenced or some such. you wrote: << Actually, only the part Krispen played had been streamed over the net in this recording; this is what I recorded on my side, so my part is uncompressed PCM, Krispen's part is a 6kbps mono ogg/vorbis.>> Makes me wonder, if Krispen made a recording of the same event with your stream would the 2 captures sound the same in terms of buffer lag times etc.? Have you explored strategies of cueing? Not composition per se but mapping options for structuring extended improv? regards BobC http://www.cdbaby.com/rpcollier2 http://www.cdbaby.com/rpcollier http://tinyurl.com/cr25j