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On 6/23/06, Todd Reynolds <toddreyn@gmail.com> wrote: > One further question, forgive my ignorance. What do you mean by " a >great > dub delay set-up"? A way do come up with some King Tubby / Lee Perry inspired echo bouncing. Catching a sound into a loop and let it bounce around; eventually distorting it a bit by over-feedback'ing, having it go in and out of sync whith the main mix, changing it's pitch (as a matter of "tape speed"). In Live you can try it by arming a Return Track with a Ping Pong Delay followd by a Compressor. Assign some controller stick/fader/pedal to (1) the Ping Pong delay's equalizer and another to (2) the Ping Pong delay's tempo division ("loop length"). Then set one of the Return Tracks send knobs to send to itself and be sure to keep a third controller assigned to the Return Track's level fader (so you can keep hoovering over the magic spot where the sound never fades but doesn't get overloaded into distortion). > PS. Don't know where you are in Sweden, but have you heard yet of a guy > named Walter Thompson, or of something called Soundpainting?? No, but please tell me! "Soundpainting" sounds interesting :-) I'm in Stockholm. Where does Walter hide? -- Greetings from Sweden Per Boysen www.boysen.se (Swedish) www.looproom.com (international) http://tinyurl.com/fauvm (podcast) http://www.myspace.com/looproom