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Looper's Delight
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I noticed that, I also was caught up in the beat. If I'm not mistaken, I thought I heard a bit of LaFosse influence in there, must be the EDP functions and your use of them. Again, incredible stuff, sounds like I'd better save my pennies and get an EDP, because after hearing that, sounds like nothing else will do. How did you run the wah pedal? It sounds like a filter instead of a regular wah sound, like you ran it through an effects loop rather than pre input, well being that you were probably miked, that's about the only way to do it. My current pedalboard has two wahs on it one is post preamp for that filtery sound. When I finally can immerse myself into looping, I thought about the possibility to use loopers throughout my chain, for instance, one up front, so that my effects can process the loop, and then one in back to capture it for layering of tracks. How do you run your chain for your set up? --- Per Boysen <perboysen@gmail.com> wrote: > On 8 mar 2007, at 07.47, Brian Kupferschmid wrote: > > > That was very guitar-like. I have also heard some > of > > your other looping with the sax(EWI also?),0 > > > No, that's my tenor sax. A 1914 silver Conn with a > nine star Otto > Link mouthpiece armed with a soft fibracell reed > (plastic coated > bamboo). Gives a tone I like, but is a bit hard to > play. Not for > playing in a big band but great for improvised music > where you can > set the pace according to how much you're lip > muscles can put up with > before you loose the ability of correct intonation. > > > very good > > stuff indeed. Have you ever tried to use the > looper > > to make chord progressions by layering note of a > chord > > on top of each other with your sax? > > > Yes. I actually thought that was what you had heard > me doing in those > live looping releases ;-) > The first time on record where I used that looping > technique was this > tune: http://www.looproom.com/aol/01_Patterns.mp3 > where I played sax > (through a wha pedal) into an EDP and ran the EDP > output (the loops) > through different effects. While playing the lead > sax line I > overdubbed accurate notes (not all) into three loops > to form three > different chords that I could step between with foot > pedals. So you > could say that the harmony voicing of those three > chords grew thicker > the longer the lead sax line had been going. > > Greetings from Sweden > > Per Boysen > www.boysen.se (Swedish) > www.looproom.com (international) > http://tinyurl.com/2kek7h (latest music release) > > > > > > --- Per Boysen <perboysen@gmail.com> wrote: > > > >> Well, since I'm originally a guitar player it > came > >> out rather > >> "guitarrish" as I played the EWI though the > guitar > >> rig. As for the > >> vision, the phrasing and intonation I guess you > >> could say that "it is > >> guitar", but in a strictly technical sense I was > >> using the EWI to > >> "play guitar". Glad you liked the stuff, because > I > >> was amazed myself. > >> I'm pretty new to playing the EWI and I kind of > get > >> the same feeling > >> for it as for my old Strat set up with floating > >> whammy. I used the > >> EWI's built-in synth here, but you can also use > it > >> to drive some > >> other synth or sampler via MIDI. And looping of > >> course done in Mobius > >> by feet while playing. > >> > >> per > >> > >> On 7 mar 2007, at 18.53, Brian Kupferschmid > wrote: > >> > >>> Dude, is that guitar or synth? I like some of > >> those > >>> growling sounds, how do you do that? > >>> --- Per Boysen <perboysen@gmail.com> wrote: > >>> > >>>> Humbly posting a clip of todays live looping > >>>> practice, if anyone > >>>> cares to listen: > >>>> http://www.looproom.com/audio/abc.mp3 > >>>> > >>>> per > > > > > > ____________________________________________________________________________________ Expecting? Get great news right away with email Auto-Check. Try the Yahoo! Mail Beta. http://advision.webevents.yahoo.com/mailbeta/newmail_tools.html