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> Thanks a lot to all ! > It was interesting knowing how do you manage with harmony. > > Fabio > www.eterogeneo.com > > > Il giorno 27/dic/08, alle ore 11:50, "Per Boysen" > <perboysen@gmail.com> ha scritto: > >> Hi, >> >> This morning my Google Alert subscription turned up this old link for >> me and it hit me that the video's music is a nice example of one of >> the techniques discussed in this thread: >> http://www.youtube.com/watch?v=pODg0W3YHH8 >> >> Live Looping strategy: >> In this tune the sax is played through an EDP set to "MooreLoops = >> 3". >> The loops are initially empty but in my mind I envision them as three >> particular chords (don't remember the key now, but if that was D >> minor >> they should go as Bb, C and D minor - yep, simple stuff). In the >> beginning of the track I play melodies lines and punch in notes now >> and then into the loops (using SUS Substitute in EDP Replace Mode >> with >> "Secondary Feedback" somewhere around 70 percent). I make sure to >> toggle a new loop before my melody improvisation reaches a note >> that I >> want to add to this particular loops "chord". As the piece develops >> these three loops are being filled up with perculating chords and I >> need to be more careful to jump around the loops in a manner that >> makes musical sense regarding the "chords" they represent. >> >> Recording strategy: >> The recording strategy was to have the sax direct sound and the EDP >> live looping output recorded on two different mono channels. The EDP >> recording was then run through a software filterbank plug-in, the one >> form OhmForce whatever-its-name-is, that combines dynamic filtering >> triggered both from an envelope follower to the sax input and from >> beat synced LFOs. >> >> Greetings from Sweden >> >> Per Boysen >> www.boysen.se (Swedish) >> www.looproom.com (international) >> www.ubetoo.com/Artist.taf?_ArtistId=6550 >> >>