Re: here and now / evolving loops

["fabio@nile" <eterogenus@gmail.com>]

Il giorno 27/dic/08, alle ore 11:50, "Per Boysen"  
<perboysen@gmail.com> ha scritto:

> Hi,
>
> This morning my Google Alert subscription turned up this old link for
> me and it hit me that the video's music is a nice example of one of
> the techniques discussed in this thread:
> http://www.youtube.com/watch?v=pODg0W3YHH8
>
> Live Looping strategy:
> In this tune the sax is played through an EDP set to "MooreLoops = 3".
> The loops are initially empty but in my mind I envision them as three
> particular chords (don't remember the key now, but if that was D minor
> they should go as  Bb, C and D minor - yep, simple stuff). In the
> beginning of the track I play melodies lines and punch in notes now
> and then into the loops (using SUS Substitute in EDP Replace Mode with
> "Secondary Feedback" somewhere around 70 percent). I make sure to
> toggle a new loop before my melody improvisation reaches a note that I
> want to add to this particular loops "chord". As the piece develops
> these three loops are being filled up with  perculating chords and I
> need to be more careful to jump around the loops in a manner that
> makes musical sense regarding the "chords" they represent.
>
> Recording strategy:
> The recording strategy was to have the sax direct sound and the EDP
> live looping output recorded on two different mono channels. The EDP
> recording was then run through a software filterbank plug-in, the one
> form OhmForce whatever-its-name-is, that combines dynamic filtering
> triggered both from an envelope follower to the sax input and from
> beat synced LFOs.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> www.ubetoo.com/Artist.taf?_ArtistId=6550
>
>