| I thought it might be the 'mellotron' mode... I have not yet explored those commands but i have assumed it is standard pitch-shifting with resultant time-shift as well... and Bill's chord changes seemed to maintain the same rhythmic pulse... though the subdivisions were gently different...
So I too am pleasantly puzzled :)
Phil :)
On Jun 21, 2011, at 9:27 AM, mark francombe wrote: Its not some kind of "next loop quantised sus replace" is it? just popping into the "other" loop when you are playing a"new key chord" I experimented with this on the edp, but gave up as I lacked three legs for all the footpedal pushin´
M
On Tue, Jun 21, 2011 at 5:59 PM, Daniel Thomas <danielthomas4@mac.com> wrote:
You seemed to just pop into the new key, His method is so innovative! Its exciting. Makes me want to tell you all about it. Bill, don't let me steal your blazing fire. You rockstar innovator.
Daniel On Jun 21, 2011, at 6:38 AM, mark francombe wrote: Fantastic as usual Bill.
For us Non-looperlative people (fools, losers and people with large overdrafts) can you explain how you are achieving the key change stuff? You seemed to just pop into the new key, is it using some looperlative pitch shift techniques, or do you have post looper pitch shifter?...
Of course Im old school enough to do this on the Repeater... or on the edp I would do this by loop copying onto a new loop and then slowly replacing
chunks in the new key, creating a odd bridge section, then I have 2
keys, I move on to a 3rd loop if ness.
love from Norge
Mark
--
Mark Francombe
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe
--
Mark Francombe
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe
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