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Hi, ... and how would you call someone recording audio signal used to trigger sounds ;-) Imagine the path( I never tested this but this can be possible with the gear I own): Guitar > looper (audio) > sonuus G2M (audio to midi) > some synth(midi) > PA. The same should be possible with "vintage" synths using CV. Has anyone already tried to loop the CV signal? I mean in a audio looper. There might be some extra electronics needed. This is "live audio loop sequencing"? ;-) Ben. -------------------------------------------------- Matt Davignon <mattdavignon@gmail.com> wrote: (16/11/2011 23:09) > I would call that "Live Sequencing", which would be different but similar > to live looping. The difference would be that in live looping, the "loop" > is an actual audio signal, where in "live sequencing", the actual loop > is a > set of trigger instructions. > > Similarly, programming a drum machine in real time would also be "live > sequencing". (I do that occasionally in my band Tiny Owl.) > > Of course, you could then run audio output of the sequence into a looping > device. In that case, it would be live looping. > > So here's the big question - how important is it for you to call it "live > looping"? I think live sequencing can be just as interesting. > > It occurs to me we could get into a fine line of argument here. When you > write audio into a digital loop, you are literally saving a set of > instructions for rebuilding the audio signal. So where live sequencing > would say, "At this moment, activate this sound with these parameters", > live looping would say, "At this moment, the waveform should be at this > voltage." To me, they are different because they present different sets > of > possibilities of how you interact with the loop. To most listeners, the > difference is probably much more subtle than that of playing guitar with > a > pick vs with your fingers. > > -- > Matt Davignon > mattdavignon@gmail.com > www.ribosomemusic.com > Podcast! http://ribosomematt.podomatic.com > Rigs! http://www.youtube.com/user/ribosomematt > > > > On Wed, Nov 16, 2011 at 11:55 AM, Anders Bergdahl < > anders_e_bergdahl@hotmail.com> wrote: > > > SO, i have now tried to do live looping with only canned samples. This > > piece of music (and noise): > > http://soundcloud.com/anders-bergdahl/canned-sonic-evolution > > > > is it "live looping" it's four samples on a step sequencer sampler > > played > > live, some times i "live" trigger the samples sometimes I use the > > sequences. Also - this machine (Elktron Octatrack) allows you to > > "record" > > live triggering of samples and the effect and changes in playback > > speed, re-triggering, pitch, length of samples etc that you perform > > "live"... > > Why do I think this is live looping, well... every run through the > > sequencer is a loop, I can record live all that is captured in the > > sequence. I try, as I do with ordinary looping, to tweak all the time > > so > > that there is development and there is NO way I could ever do this > > exact > > recording again. I could stat with the same sounds again but something > > else > > would be the result.. > > (and I use the delay on the octatrack to loop as well... =) > > > > So do YOU consider this a a form of Live Looping.. Enjoy the > > discussion.. > > > > Anders > >