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>The subject of originality sometimes seems so completely focused on >creating, seemingly from scratch with no references to other people's >work, >etc. The folk tradition otoh, focuses on taking given forms and breathing >new life into them. Thanks for these thoughts, Miko. I would venture to say (could be wrong) that we are all folk musicians in a loopy sense. hasn't a lot of what we do been done before? why are we still fascinated with it as a methodology and technique? possibly because it's a portal through which we can express 'ourselves'? rich