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Looper's Delight
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Hey Per,Have you ever tried building something like that in Guitar rig? I have played around with the volume pedal in GR only used the mdf input volume to trigger it instead of a pedal. There are probably other ways to accomplish it better but I've never delved into it enough to figure it out.
Paul Haslem, www.dulcify.ca Ontario, Canada At 06:59 PM 8/4/2012, you wrote:
On Sat, Aug 4, 2012 at 10:44 PM, Phil Clevenger <phil.clevenger@gmail.com> wrote:> Really love to hear about your results with N2O when you have some mileage with it :)Hi Phil, I already have some mileages with do N2O, since I've been using it since it's first release. PSP put up some info videos here: http://www.pspaudioware.com/plugins/multimode_effects/psp_n2o/psp_n2o_video/ I tried to build a virtual swell pedal with N2O but wasn't successful. A similar function can be achieved with a lo pass filter though, if setting the attack to around 600 milliseconds and full sustain. But that can be done too with any filter plugin, like Logic's/Mainstage's own Autofilter or SoundToys' FilterFreak 1. Tonight I saved "Swell" presets for both of these, but opening a low pass filter from zero is not exactly sounding as a doing it with a pure level control. The best virtual swell pedal I know is in Amplitube 3, as I said before. It has the option to set the fade-in attack envelope time range to follow the host's tempo and I usually use it an eighth note or a quarter note. Unfortunately the plugin can not be trusted for stability. Second best virtual swell pedal I know needs to run under Ableton Live, since it is a combination of Max for Live envelop follow device listening to your audio input and controlling the gain parameter in a utility plugin (standard Live plugin). Worst virtual swell pedal I've mocked-up is the Logic's/Mainstage's plugin Enveloper. It is bad because it doesn't allow a volume sweep from zero, as it is rather a tool for shaping the attack of transients in a rhythmic material. Per